Popular music Brasileira, or MPB, literally 'Brazilian Popular Music', designating a trend in post-Bossa Nova urban popular music. It is not a discrete genre but rather a constellation that combines original songwriting and updated versions of traditional Brazilian urban music styles like samba and samba- with contemporary influences, from folk to rock and pop. Signifying much more than the sum of the 3 words would indicate, 'MPB' is a contemporary trend that has brought the world many renowned Brazilian artists.
MPB, loosely understood as a 'style', debuted in the mid- 1960s, with the acronym being applied to types of non-electric music that emerged following the advent, ascension and evolution of bossa nova. MPB artists and audiences were largely connected to the intellectual and student population, causing later MPB to be known as 'university music' c. 1970. MPB was born out of an attempt to produce a Brazilian 'national' music, thus revitalizing traditional styles. MPB made a considerable impact at that time, boosted by several televised music festivals, where the acronym was popularized.
The earliest MPB borrowed elements of the bossa nova and often relied on thinly-veiled criticism of social injustice and governmental repression, being based on progressive opposition to the political scene characterized by military dictatorship, concentration of land ownership, and imperialism. A variation within MPB was the short-lived but influential artistic movement known as tropicalia.
The climate that created the MPB movement ceased to exist after 1969, but the acronym has survived, albeit with a less specific meaning. Transforming from a left-wing musical movement, MPB became the core of Brazil's urban middle-class music, and the term still indicates a certain aesthetic quality in modern Brazilian music.
Rate and comment
